I. The Lady of the Civet Furs

Henry Leroux wrote busily on. The light of the table-lamp, softened and enriched by its mosaic shade, gave an appearance of added opulence to the already handsome appointments of the room. The little table-clock ticked merrily from half-past eleven to a quarter to twelve.

Into the cozy, bookish atmosphere of the novelist‘s study penetrated the muffled chime of Big Ben； it chimed the three- quarters. But, with his mind centered upon his work, Leroux wrote on ceaselessly.

An odd figure of a man was this popular novelist, with patchy and untidy hair which lessened the otherwise striking contour of his brow. A neglected and unpicturesque figure, in a baggy, neutral- colored dressing-gown； a figure more fitted to a garret than to this spacious, luxurious workroom, with the soft light playing upon rank after rank of rare and costly editions, deepening the tones in the Persian carpet, making red morocco more red, purifying the vellum

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